Jean-Pierre Jeunet's Subway (1985) invites viewers into a world that is at once charming and strange, a realm that resonates with feelings of nostalgia and the uncanny. Set against the backdrop of Paris’s labyrinthine subway system, the film unfolds as both a visual spectacle and an exploration of liminality, a concept that reflects transitional spaces and the feelings of uncertainty that accompany them.
One of the film's most striking scenes occurs when the protagonist, Fred (played by a youthful Christopher Lambert), finds himself in the subway at night. The darkness is palpable, and the absence of people enhances the unsettling atmosphere—a very liminal setting indeed. The subway, usually bustling with life, transforms into a quiet, eerie space, allowing viewers to feel the weight of solitude. In this moment, the subway transcends its functional role as mere transportation; it becomes a metaphor for passage between realities and states of being.
During the daytime, the subway maintains its liminal character, bustling with commuters amid the vastness of the underground. The sheer scale of the space can turn oppressive, whispering of shadows lurking in the distance, where darkness can suddenly consume all. This vastness, filled with moving bodies and the sounds of trains, still retains an uncanny quality that echoes through the corridors—a reminder that beneath the bustling exterior lies an environment capable of transformation. What makes Subway even more fascinating is that it maintains its liminal touch regardless of the time of day or level of activity. Even with many people around, there’s an undeniable aura of something being off, a slight disturbance in the fabric of the mundane, keeping us on edge.
So if you’re seeking a cinematic experience that blends artistic ingenuity with the alluring strangeness of liminality, Subway is a film that deserves a spot on your watch list. Embrace the whimsical yet unsettling atmosphere, dive into the intricacies of its underground labyrinth, and allow yourself to explore the myriad dimensions of this charmingly peculiar world.